Seeing Red

by

Falko

 

Secrets held in lowered eyes

 

When you see the appearance of humility - 

Do not mistake it for a lack of ability.

 

 

Crimson Echoes washed with snow

 

Hush

The light is fading.

As we watch - we see the wind hide and seek,

Weaving streams of cold air in and out

She creates a motional sculpture,

A moving tableau of gold.

A movie of burnt orange, a sepia blur -

Before our eyes

A crimson echoe of past lives.

Gust!

Breath,

Still…

The tall boastful trees have lost their dignity,

Their puffed up proclamations of grandeur empty.

They stand awkward - stark, exposed!

Their showy splendour gently robbed

As the wind coaxed the leaves from their branches

Low - a merry murmur as she fondles the fallen foliage. 

Deep in the raked core of the forest -

High in the hills,

A gathered hue of brown slumbers.

A sudden twitch startles

Heavy eyelids stubbornly rise,

A curious head lifts

The sea of brown stirs. 

Quietly as a cushion, a shadow sits up

Unaware of what lies ahead yet drawn by the ghostly glow…

Careful not to wake the others,

The shadow steals away from the warmth. 

Inexperience totter, an unsure stumble…

To the mouth of the cave

That gives way to a steep path and sharp cliff,

Below the competitive valley of twigs pose.

A gasp!

Wide brown eyes look up and see a fairy dance

Down from the heavens. 

The coolness truly awakens the lone bear.

 

The wind from the valley inspires to play and to find a friend

She tends to him - her whisper carried far.

"A vision" she says

"It's your first snow fall

Your first winter!"

She blows round his head and across his back

"Behold little one - your kingdom!"  

With a shudder

He shakes the cold snow from his coat

And sees for the very first time,

This vision is a seasonal sign.

From youth to king - and soon to know

Crimson echoes washed with snow.

 

 

My beautiful friends are the jewels in my crown of happiness, the years won't wear away their luster.

I wrote this poem for one of my best friends before I left Zimbabwe over ten years ago, she kept it for all these years and showed it to me the other day. I wanted to include it in this collection of poems and share it with you - it speaks of an unbreakable bond between friends...

 

My gentle one

 

A gentle one calls beckoning me close,

With light from within

And warmth reaching out.

Bearing gifts of delight

And love without boundary,

Overflowing with beauty and grace.

 

It is you my angel.

You have come to me,

I respond.

Your laughter is mine

I have felt your pain.

Quiet storm, thunderous peace

I stand.

 

Look for me, where the river rages

Yielding to rocks - exploding into mist.

Where the wind moves silently through the trees

My spirit is there.        

Where the blade grows within the forest

And the birds soar within the heavens

You will find me.

 

My gentle one you have captured my soul

You have spoken

- I have responded.

 

 

 

 The full story

I heard there were auditions for 'Into the Woods', I didn't know much about the musical except that it was based on children's' stories… sounded like fun. I was informed that I would need to prepare a song by Sondheim and perform a two minute fairy tale.

The song I did was 'Losing my mind' from the Follies. Sondheim is not easy to do but this song seemed less obscure and I did like it. 

The story I chose was 'Puss in boots'. I love cats, I have two, Chelsea and Brixton, and I just fancied the idea of being one. I had some time, so I thought I'd write an adaptation, that way if they had heard it before that day, mine would still be interesting and fresh for the panel.

I was nervous of course but the audition went well, they seemed to like my feline version and then it was time to sing. I thought they gestured half way through the song, so I stopped, they gave me a questioning look, and asked me to continue. I did not recover well, but did my best, so I wasn't surprised when I received the email which said something like… "We enjoyed your audition; however 'Into the Woods' does not have any chorus parts to offer you..."

I worked on the show backstage for a while, I say worked, but really all I wanted to do was watch the rehearsals as I was learning so much from the cast. It was great to see them make mistakes and then come back even stronger. It really taught me that it was okay to fowl up vocally. I was always so hard on myself, and would get really embarrassed if I sang badly - but they showed me that now and again everyone sings off key, even the most talented. This gave me the confidence to keep trying, to work harder and get better. Watching them dance and sing and act was bitter sweet…

The director gave me the honoree role of Snow White, traditionally given to an assistant stage manager.

As the preparations for the production went on, I got really annoyed when they would call me to do an actual backstage job. Everybody knew that I would avoid the stage manager at all costs. I would try to hide in the darken auditorium to watch the rehearsals.

The stage manager was lovely and tried to understand me, she even asked why I wanted to work back stage.

Her second in command was a lot tougher and constantly gave me a hard time. I would hear my name 'Falko! Falko… I know you in here', and I would have to come out of my hiding place with a sheepish smile on my face, because I knew there was work to do!

There is nothing worse than hating with a vengeance the things you know you have to do, yet feeling so bad about it because you know how wrong you're being…

Well good ole second in command made me sweep under the stage one afternoon; I felt I was living out my own fairy tale… I was Cinderella of course… you can decide what role she'd play… Anyway I couldn't see the performers rehearsing, and finally I emerged from under the stage, covered in dust, with cobwebs in my hair! …I quit.

And naturally the part of Snow White was given to someone more deserving.

The thing is I couldn't hide my desire to perform and could not deal with not being good enough for them at the time.

Still, I found an enjoyment for writing and kept my account of Puss in boots safe. Now and again I adapted my adaptation for various auditions and loved performing it to new audiences.

A year later I went to drama school and on to a musical theatre diploma. I wrote my own mini musical to celebrate and promote the release of the poetry books.

I wrote and illustrated a tribal version of 'Puss in boots' for an art exhibition - I called it 'The Cat in Sandals'.

Click here for the story

THE END

 

 

 Available for sale at Amazon Books

 

 

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